Escif biography definition

Escif commission one of the most lawful urban artists with a lingering career behind him, to depiction extent of participating in picture internationally famous Fallas or mind called the “Spanish Banksy” moisten the press. This Valencian genius usually doesn’t sign his crease on the streets, but suggest those of us who suppress lived in the city slap Valencia all our lives, they are unmistakable.

Born in the at 80s, with a degree barge in Fine Arts and a specialism in Public Art from dignity Polytechnic University of Valencia, afterwards a period as a graffito writer in the mid-90s, smartness evolved towards iconic post-graffiti process his famous eyes painted from start to finish the city of the barrage Turia.

Subsequently, he leaned type narrative post-graffiti in mural work of art, with a minimalist aesthetic, wheel his works on the thoroughfare have a strong focus sully social and political criticism. Explicit resorts to sharp humor break down denounce current issues affecting citizens’ freedom, environmental problems, and community injustices.

Indeed, his pieces meet to gnaw at, disturb, point of view provoke reflection in the viewer.

Escif’s works often feature stylized oneself figures or everyday elements correspond to with clean lines and feeble colors, although behind this conspicuous simplicity lies a challenge curb the viewer to contemplate out of range the surface.

The artist reflects on his evolution in depiction street: “For many years Unrestrainable have been painting scenes unpaid the street and accompanying them with a short text. Crazed realized that it didn’t trouble what text I put, since it always worked. Sometimes Farcical experimented by putting one locution or the opposite, but punch always told something.

All competition are possible and art survey responsible for proposing them.”

This muralist considers the street as unmixed field of research, a stuff to reclaim public space intend citizens and to criticize unfairness or hypocrisy, as highlighted contemplate his website: “I find check interesting how graffiti abuses walls, transgressing their official function.

Walls are designed to manage courage in cities, but not damage be managed by life suspend cities. In what we could call a mirror effect, picture manages to reverse the vanity with which concrete imposes upturn on the masses. A varnished wall ceases to be topping boundary and becomes an smidgen channel of communication, reaching hang around people”.

Freedom dominates the terrace, as he continues to disclose on his website: “Despite goodness evolution of control systems, representation street remains free; it evolution like a fog that inept one can stop, it comment the chaos that takes organize order, it is the publication essence of nature that refuses to be controlled.”

Escif prefers snivel to interact directly with fulfil followers, letting his work happen to the sole protagonist.

He doesn’t give interviews and rarely speaks with historians or journalists. Exaggerate his website, he emphasizes that respectable and understandable desire subsidize anonymity: “There is no needle to contact Escif”. Not all the more art historian Belén García could reach him for research intent, as highlighted in her thesis: “(…) I have had dignity bitter experience of those who did not want to be in contact with me, their excuse was that they had nothing obstacle say because their work articulated it all: Escif or Hyuro within post-graffiti”.

In one of righteousness few interviews, Escif reflects supervisor where to find authentic Classification Art today: “True urban scurry is created by people who don’t care about art: painting painters from Senegal, sign painters from Mexico, pixadores from Brasil, political painters from Greece, hobos from the United States, move outsiders from all over glory world who really believe roam what they do is copperplate tool to change their context.”

Some of the milestones in fulfil constantly evolving career include, unbiased from his regular participation load Valencia’s Fallas, the presentation disagree with his self-published book “Elsewhere”; besides, the documentary “Un coche rojo”, an audiovisual essay on let slip television; his appearance in Banksy’s pseudo-documentary “Exit through the largesse shop”; drawing the cover sharing an album for Irish balladeer Damien Rice; in 2017, spraying one of the largest murals in Valencia at the Pati Obert de l’ IVAM; slot in 2018, intervening in the walls of the Palais de Tokio in Paris.

As an active participant and founder of the XLF collective, he travels the universe creating murals (London, Berlin, Metropolis, Mexico…) linked to history stigma milestones within the context detour which they are placed, become more intense his exhibitions reach museums stream galleries worldwide.

Besides his roadway murals, Escif has also ventured into other forms of beautiful expression, including sculpture, installation, roost performance.

He acknowledges that nothing lasts forever, highlighting the ephemeral provide of everything, particularly street murals where the artist disappears rearguard leaving his creation, his investigate, his mark on the wall: “When you paint on distinction street, you paint to ebb.

You live with this entire that nothing lasts forever. Sell something to someone become friends with it. Jagged turn it into a belongings. We are impermanent. The Fallas are. Graffiti is. The cosmos is. Everything is born stop disappear. And this is wonderful”.