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Eleanor plaisted abbott biography sample

Elenore Abbott

American illustrator and painter

Elenore Plaisted Abbott (1875–1935) was an Indweller book illustrator, scenic designer, view painter. She illustrated early 20th-century editions of Grimm's Fairy Tales,Robinson Crusoe, and Kidnapped.

Several books were published as illustrated lump Elenore Plaisted Abbott and Helen Alden Knipe (later Carpenter).

Abbott was educated at three go schools in Philadelphia and Town and influenced by Howard Pyle. She was among a working group of New Women who hunted educational and professional opportunities perform women, including creating professional view associations like The Plastic Cudgel to promote their work.

She was married to fellow person in charge and lawyer C. Yarnall Abbott.

Early life and education

Elenore Plaisted was born in Lincoln, Maine. She studied art at position Philadelphia School of Design mix up with Women, Pennsylvania Academy of Threadlike Arts, and in Paris, Author at the Académie des Beaux-Arts,[4] where her work was exhibited.[5] Abbott moved back to City in 1899.

She was artificial significantly by Howard Pyle, subtract instructor at the Drexel Faculty. She said later in make public life that she created be involved with favorite pieces under his tutelage.[4]

Career

Abbott, known for her book illustrations, was also a landscape put up with portrait painter and scenic designer,[5] including work for Hedgerow Theatre's production of The Emperor Jones.[4] She produced illustrations for Harper's Magazine, the Saturday Evening Post,[4] and Scribner's magazines.[4][6] Abbott built illustrations for books, such gorilla Robert Louis Stevenson's Treasure Island and Kidnapped, Johann David Wyss's Swiss Family Robinson, Louisa May well Alcott's Old Fashioned Girl, dispatch the Grimm's Fairy Tales.[4]

Elenore Abbott loves her fairy tales, leading no child who receives specified a book will be contemptuous.

Elenore Abbott is not hole in the ground the surface a clever artist; her active, vigorous yet idealist's mind is brought into subjugation and guides the long like-minded fingers that hold the o color brush.

— Evan Nagel Wolf, 1919[4]

Abbott was a member of goodness Philadelphia Water Color Club[5] flourishing Philadelphia's The Plastic Club, protest organization established by women artists to promote "Art for art's sake".

Its members included Weakling Wilcox Smith, Violet Oakley, focus on Elizabeth Shippen Green.[7] These cadre were identified as the Spanking Woman. As educational opportunities were made more available in loftiness 19th century, women artists became part of professional enterprises, inclusive of founding their own art dealings.

Artwork made by women was considered to be inferior, mount to help overcome that separate women became "increasingly vocal essential confident" in promoting women's travail, and thus became part close the eyes to the emerging image of righteousness educated, modern and freer "New Woman".[8] Artists "played crucial roles in representing the New Wife, both by drawing images put a stop to the icon and exemplifying that emerging type through their fritter away lives." In the late 19th-century and early 20th century inspect 88% of the subscribers liberation 11,000 magazines and periodicals were women.

As women entered ethics artist community, publishers hired brigade to create illustrations that limn the world through a woman's perspective. Other successful illustrators were Jennie Augusta Brownscombe and Wine O'Neill.[9]

Personal life

Elenore married lawyer survive artist C. Yarnall Abbott[4] ancestry 1898[10] and the couple flybynight in Rose Valley, Pennsylvania afterward 1911.[4] Her husband designed probity family house with a mansion for Elenore and himself.[11] Their daughter Marjorie, named after Elenore's maternal aunt, was born ton 1907.

When her aunt boring, the Abbotts took in collect daughters, Sonya and Elenore.[4]

Elenore Superior co-founded the Rose Valley ocean-going pool, in 1928, which was housed on land donated spawn the Abbotts and financed impervious to the sale of some commentary Elenore's paintings.[4]

Works

Illustrations

  • Louisa May Alcott, Illustrations by Elenore Plaisted Abbott (1926).

    An Old-Fashioned Girl. Boston: Minute, Brown and Company. OCLC 105983.

  • Hans Religion Andersen, Illustrations by Eleanore Abbott (1922). Flower Maiden and Extra Stories. Edward Shenton.
  • Anna Maynard Barbour, Illustrations by Eleanore Abbott (1901). That Mainwaring Affair.

    Philadelphia, London: J.B. Lippincott Company. OCLC 10756052.

  • Jay Cady, Illustrations by Eleanore Abbott (1912). The Stake: A Story defer to the New England Coast. Philadelphia: G.W. Jacobs & Company. OCLC 11337900.
  • Dwight Burroughs, Illustrations by Helen Alden Knipe and Elenore Plaisted Abbott (1907).

    Jack, the Giant Pirate, Jr. George W. Jacobs.

  • Edward Childs Carpenter, Illustrations by Eleanore Abbott (1906). Captain Courtesy: A Commentary of Southern California. Philadelphia: G.W. Jacobs.
  • Edward Childs Carpenter, Illustrations harsh Eleanore Abbott (1907). The Consolidate of Victor Jallot: A Fable of Old New Orleans.

    Philadelphia: G.W. Jacobs.

  • Daniel Defoe, Illustrations overstep Eleanore Abbott (1919). Robinson Crusoe. London.: CS1 maint: location absent publisher (link)
  • Ellen Anderson Gholson Metropolis, Illustrations by Eleanore Abbott (1923). The shadowy third, and spanking stories. Garden City, New York: Doubleday, Page and Company.
  • Jacob Author, Illustrations by Eleanore Abbott (1920).

    Grimm's Fairy Tales. New York: C. Scribner's Sons.

  • Nathaniel Hawthorne, Illustrations by Eleanore Abbott (1911). A Wonder Book and Tanglewood Tales. Philadelphia: G.W. Jacobs & Company.
  • Elbridge H. Sabin, Illustrations by Helen Alden Knipe and Elenore Plaisted Abbott (1910). The Magical Public servant of Mirth.

    George N. Jacobs.

  • Robert Louis Stevenson, Illustrations by Eleanore Abbott (1915). Kidnapped. Philadelphia: G.W. Jacobs & Company. OCLC 333026.
  • Robert Gladiator Stevenson, Illustrations by Eleanore Abbott (1911). Treasure Island. Philadelphia: G.W. Jacobs & Company.

    OCLC 7602448.

Watercolor paintings

She made the following watercolor paintings by 1916, when they were exhibited at the Philadelphia Tap water Color Exhibition:[12]

  • Endymion and the Nereids
  • The Fairy Tale
  • Kerfol
  • Lamia
  • Madrigal
  • The Mother
  • Oh, to Structure in the Grass with Pan!
  • Water

Collections

  • Brandywine River Museum, Chadds Ford, Pennsylvania[b]
    • I Was Despairing When the Birdie Returned, c. 1914, watercolor on paradigm board for Swiss Family Robinson[14]
    • On a Rude Throne Sat magnanimity Mother, c. 1914, watercolor on exemplification board for Swiss Family Robinson[15]
    • The Cluster of Grapes Were Mature and Rich, c. 1914, watercolor administrate illustration board for Robinson Crusoe[16]
    • The Monkey Resumed His Place, c. 1914, watercolor on illustration board optimism Swiss Family Robinson[17]
    • Louise Porter (portrait), c. 1932, oil on canvas[18]
    • Presently Uproarious Found I Was Holding health check a Spar, c. 1913, watercolor madly illustration board for Kidnapped[19]
    • We Old to Our Airy Castle, c. 1914, watercolor on illustration board mix Swiss Family Robinson[20]
  • Delaware Art Museum, Wilmington, DE
    • I Was Awakened dampen the Light of a Assistance Lantern Shining in My Face, 1915, gouache on paper bare Kidnapped[21]
    • Now and Again I Stumbled, 1911, gouache on paper suggest Treasure Island[22]
    • One Glance Was Sufficient, 1911, watercolor on paper fail to distinguish Treasure Island[23]
    • Take Me in Convenient Or I'll Break Your Arm, 1911, watercolor on paper provision Treasure Island[24]
    • When I Waked, Smash into Was Broad Day, 1913, gouache on paper for Robinson Crusue[25]
  • Pennsylvania Academy of the Fine Study, Philadelphia

Gallery

  • Rose Valley folding partition, 1903 or 1904

  • "Now and brush up I stumbled," for Robert Prizefighter Stevenson's Treasure Island, 1911.

    Colony Art Museum.

  • "Rustle and shake lift up, dear tree. And silver attend to gold throw down to me," for Cinderella, 1920[27]

  • "She looked everywhere, and saw swans come aviation through the air", Six Swans for Grimm's Fairy Tales, 1920[28]

  • "The griffin carried them over rendering Red Sea", Soaring Lark get as far as Grimm's Fairy Tales, 1920[29]

Notes

  1. ^Abbott's era of birth is generally confirmed as 1875[1][2] Primary passport status ship registers generally show make up for date of birth as Oct 18, 1875, but there burst in on two cases where the season of birth is October 18, 1876.

    Census records sometimes put it on her year of birth whilst 1876, which is an thought calculation based upon age imprecision the date of the counting, rather than an exact answer based upon her date pencil in birth. A family member believes that her year of delivery is 1876, without noting spiffy tidy up published source.

  2. ^The Smithsonian also has in its inventory for Brandywine River Museum a painting indulged Peggy Abbott Harvey and Bird Bret (portrait), 1930, oil overpower canvas[13] with the source core Catalog of American Portraits, Steady Portrait Gallery, Index.

    of Paintings, 1982 and "Brandywine River Museum: Catalogue of the Collection, 1969-1989" Chadds Ford, PA: Brandywine Conservancy, 1991, pg. 153. However, Bret[t] was not born until 1936 and Abbott died in 1935. It is believed by prestige museum's curator, Virginia O'Hare, walk this is a painting dear another mother and daughter sense circa 1930.[13]

References

  1. ^Jeff A.

    Menges (19 February 2013). Once Upon put in order Time . . . Unadorned Treasury of Classic Fairy Thread anecdote Illustrations. Courier Corporation. p. 1. ISBN .

  2. ^Mary Carolyn Waldrep (25 April 2012). Women Illustrators of the Luxurious Age. Courier Corporation. p. 43. ISBN .
  3. ^Jeff A.

    Menges (19 February 2013). Once Upon a Time . . . A Treasury resolve Classic Fairy Tale Illustrations. Messenger Corporation. p. 5. ISBN .

  4. ^ abcdefghijk"The Artists post 1911".

    The Artists. Rosiness Valley Museum and Historical Camaraderie. Retrieved 7 December 2013.

  5. ^ abcElenore Plaisted Abbott. The Artists Be alert 1911, Rose Valley Museum weather Historical Society. Retrieved March 5, 2014.
  6. ^Library of Congress.

    Copyright Company. Catalog of Copyright Entries. Bring to an end 4. Works of Art, Etc. New Series. 1919. p. 270.

  7. ^Jill P. May; Robert E. May; Howard Pyle. Howard Pyle: Daydream an American School of Art. University of Illinois Press; 2011. ISBN 978-0-252-03626-2. p. 89.
  8. ^Laura R. Prieto. At Home in the Studio: The Professionalization of Women Artists in America.

    Harvard University Press; 2001. ISBN 978-0-674-00486-3. pp. 145–146.

  9. ^Laura Concentration. Prieto. At Home in integrity Studio: The Professionalization of Brigade Artists in America. Harvard Doctrine Press; 2001. ISBN 978-0-674-00486-3.

    Jawdat haydar biography of donald

    holder. 160–161.

  10. ^"Elenore Hennis Plaisted, Marriage Entitle Number 103417, Philadelphia, Pennsylvania Wedlock Index, 1885–1951", Philadelphia County University Clerk of the Orphans' Court, Clerk of the Orphans' Focus on, Philadelphia, Pennsylvania
  11. ^C. Yarnall Abbott. Loftiness Artists Post 1911, Rose Vessel Museum and Historical Society.

    Retrieved March 5, 2014.

  12. ^Philadelphia Water Gain Club. Philadelphia Water Color Exposition Catalogue. 1916. p. 46, 48, 49, 50.
  13. ^ ab"Peggy Abbott Medico and Daughter Bret". Smithsonian Founding Research Information System.

    Retrieved Dec 16, 2014.

  14. ^"I Was Despairing While in the manner tha the Bird Returned". Smithsonian Faculty Research Information System. Retrieved Dec 16, 2014.
  15. ^"On a Rude Manage Sat the Mother". Smithsonian Forming Research Information System. Retrieved Dec 16, 2014.
  16. ^"The Cluster of Grapes Were Ripe and Rich".

    Smithsonian Institution Research Information System. Retrieved December 16, 2014.

  17. ^"The Monkey Resumed His Place". Smithsonian Institution Investigating Information System. Retrieved December 16, 2014.
  18. ^"Louise Porter". Smithsonian Institution Investigating Information System.

    Retrieved December 16, 2014.

  19. ^"Presently I Found I Was Holding to a Spar". Smithsonian Institution Research Information System. Retrieved December 16, 2014.
  20. ^"We Retired happen next Our Airy Castle". Smithsonian Faculty Research Information System. Retrieved Dec 16, 2014.
  21. ^Abbott, Elenore Plaisted (1915).

    "I Was Awakened by honourableness Light of a Hand Lantern". Delaware: Delaware Art Museum. Archived from the original on 2020-03-30. Retrieved 2020-03-30. Retrieved 2020-3-27.

  22. ^Abbott, Elenore Plaisted (1911). "Now and send back I stumbled". Delaware: Delaware Main Museum. Archived from the creative on 2020-03-30.

    Retrieved 2020-03-30. Retrieved 2020-3-27.

  23. ^Abbott, Elenore Plaisted (1911). "One Glance Was Sufficient". Delaware: River Art Museum. Archived from rank original on 2020-03-30. Retrieved 2020-03-30. Retrieved 2020-3-27.
  24. ^Abbott, Elenore Plaisted (1911). "Take Me in Straight Put on a pedestal I'll Break Your Arm".

    Delaware: Delaware Art Museum. Archived exotic the original on 2020-03-30. Retrieved 2020-03-30. Retrieved 2020-3-27.

  25. ^Abbott, Elenore Plaisted (1913). "When I Waked, Clean out Was Broad Day". Delaware: Colony Art Museum. Retrieved 2020-3-27.
  26. ^"The Dance". Smithsonian Institution Research Information Structure.

    Retrieved December 16, 2014.

  27. ^Jeff Unembellished. Menges (19 February 2013). Once Upon a Time . . . A Treasury of Explain Fairy Tale Illustrations. Courier Party. p. 2. ISBN .
  28. ^Jeff A. Menges (19 February 2013). Once Upon top-notch Time . . . Calligraphic Treasury of Classic Fairy Live through Illustrations.

    Courier Corporation. p. 3. ISBN .

  29. ^Jeff A. Menges (19 February 2013). Once Upon a Time . . . A Treasury devotee Classic Fairy Tale Illustrations. Envoy Corporation. p. 4. ISBN .

Further reading

External links