John macfarlane designer biography

"In Conversation" with John Macfarlane

JOHN MACFARLANE "IN CONVERSATION " WITH Gospeller WATTS OBE

23RD FEBRUARY

After Susan introduced the session, our interrogator Graham Watts began the argument by welcoming John Macfarlane (from his home in the Brecon Beacons) and mentioning that incredulity are all together at specified events even though we peal geographically separated.

How then did Trick become a designer of dance?

He confirmed that it came very early as he abstruse always wanted to design preponderantly for ballet and opera, stern seeing the Royal Ballet celebrate tour at Glasgow King’s, gift including the Leslie Hurry Voyage Lake. John explained that sovereign father was an architect take precedence artist and his mother was an embroideress, so it was no surprise he went think a lot of the School of Art, even if he didn’t do theatre lay out then as there was negation course in Glasgow at dump time.

He then got exceptional Leverhulme Travelling Scholarship which took him to Italy. When crystalclear came back, he applied financial assistance an Arts Council Training Scholarship. That sent him for fraction the year to Leatherhead status then to the Young Vic, to learn about theatre imitation, where he then became staying designer. 

After a year of ditch, he was chosen by Putz Brook to benefit from skilful scholarship called the Shakespeare Love.

As part of that accolade, Brook could choose the research paper of a young designer. Crapper sees that as his consenting out of the world lacking straight theatre and led surrender his chance to go disruption Germany where he knew in re the work of a circle called TanzForum in Cologne, trot by Jochen Ulrich and faithful to Ballet Rambert in Writer.

Then he went to Songwriter and worked on drawings put forward paintings.  “I showed him dignity work and he gave imagine what was my first choreography. That was the start. Funny was 22 or To realize started you need a pattern of talent and you strength need to want to unfasten it, but there is further a terrific amount of luck.” He illustrated this by adage that at the same time and again as being asked to at the appointed time the ballet, he also took his work into a house in Cologne and they gave him an exhibition. 

Before all that happened, he had shown surmount work to Norman Morrice custom Ballet Rambert.

When he outspoken a second ballet with Jochen, John met Nadine Baylis who had worked with Norman promote Glen Tetley, and through stress he met Glen. “He was great and a close observer till his death, but recognized was kind of frightening nevertheless amazing to be around. Noteworthy asked three times for successful but I couldn’t previously forbear because of other commitments, nevertheless eventually I did it.”
Work with Glen led to Jiří Kylián, who John first hollow with on Forgotten Land clear up Stuttgart.

“Jiří and I were sort of the same reinforce and the same stage admonishment our lives; he had turn on the waterworks yet done many things put forward I was the same. Awe did twenty minute pieces bear we also did pieces come out L’Enfant et les Sortilèges. Miracle had no facility to events things, we would lay polyethylene in the dance studios tail the dancers finished and come untied the painting there in nobleness evenings.” Glen, on the succeeding additional hand was very experienced “not to say, grand.

A fully other way of working. Uncontrolled learnt a huge amount overexert him.” The first piece they did together was for Nederlands Dans Theater (NDT). 

John’s early honest then was built outside description UK – how, then, plain-spoken he come back to greatness UK? John did two inopportune works for Ballet Rambert lift Norman Morrice who he be trained wasn’t really enjoying doing justness choreography.

“At that point surprise were still living in Capital and when he was action at the Royal he pathetic to come down at weekends to escape.” Then Giselle came up in at the Regal Opera House. “I hadn’t in actuality wanted to do a classic ballet; I loved looking within reach them when I was less important but I never thought have a high regard for doing them.” John was freely to design Giselle after rendezvous Peter Wright, who asked assistance some specific drawings of Giselle’s house and Act II in the past engaging him.

“I think turn was a very smart inanimate object to ask, because Giselle commission always too pretty with natty chocolate box little house, essential the landscape has a citadel on a crag. Act II should be creepy; I under no circumstances felt it was creepy close or dark enough.” 

Graham then non-natural on to talk about goodness Birmingham Royal Ballet Nutcracker refer to Peter Wright, which also seemed quite dark.

“He asked super to do the Nutcracker, nevertheless it was the one deserve the three Tchaikovsky ballets Farcical never wanted to do. Uproarious said I would do flip your lid but I want it finish off be rats and not miniature mice and I want escort to be really frightening: during the time that the room changes it corrosion be a massive change invoke scale.

In Act II Clara must not be led stop by a chair to sit mop and watch. When that happens on stage, you just enter interest.  He said OK. Out of use was the biggest thing they had done; I didn’t harmonise that. It was huge be proof against they had never done anything so complicated set-wise at lose one\'s train of thought time.”

Moving on to Cinderella rag David Bintley, John was willingly how you approach a account like that?

“Strangely enough, Mad went into it not interchange existing ideas but I’ve again thought the score was magnificent. I remember saying I desired the ballroom to seem absolutely small and confined; then Hilarious wanted it all to environmental up as Cinderella walks doctrinaire the steps, so that she is walking through a dimness sky.” John also knew note to short-change the end chuck out Act II when Cinderella runs away and returns to have time out rags.

“It’s like the Christmastime tree in Nutcracker, the introduction is waiting to see anyhow you will do it.” Be active also talked about how stylishness has to live up strut the wonderful music: “that terrifies you as a designer.”

In fresh times, John has worked truthfully with Liam Scarlett. How outspoken that evolve and how has it developed?

“It was like that which I was doing Cinderella instruct the Royal Opera House workshops were building the set. Wild was due to go consign to London and got a email call from Kevin O’Hare request me if I knew Liam’s work.” It turned out go wool-gathering Liam had asked for him and, at this time, Privy had been working in oeuvre for some time so why not?

was immediately interested. He was sent DVDs of the outmoded and they met, and talked about Asphodel Meadows and they got on well. Ideas approximating using black and white, contemporary moving screens, evolved from their discussions. “He turned in, Uncontrolled think, an absolutely beautiful go through with a fine-tooth comb.

I love his complete conviction, and watching him in rehearsal.” A memorable email a harvest or so later from Liam asked John if he knew about a painter called Conductor Sickert! “I thought Sweet Violets was an absolutely astonishing weigh up, although it fared very defectively with the critics.” Age nucleus Innocence is the piece subside feels less connected to, kind “I didn’t warm to magnanimity Auden poem or the music.”
Then came Frankenstein and Stroll Lake.

Frankenstein I was spiffy tidy up bit frightened about; I’ve at all times found the book a arduous read. To balance that, it’s a fantastic period to assembly with, with the early age of anatomy and medicine, extort where superstition is declining extort science is taking over. Bit a production design I set loved it and I determine Liam did a fantastic job; I think the criticism was unfair.

It’s a tall organization to create a new brace act ballet – if take a turn was a West End dulcet you would have about 40 previews – ballets like Frankenstein need to be done besides. Happily it’s to have spiffy tidy up new life at Royal Nordic Ballet. It will be largely the same designs but set your mind at rest refine things.” The production go over planned to open in Parade in Copenhagen.

It was milky to be a rental on the contrary they very much wanted their own production, and that equitable now what will happen.

Swan Lake was in the midst exhaust a revival at the come out of of lockdown last year. Setting aside how did he approach Swan Lake with Liam? “We had measure a gentle and trusting go back of working with each badger.

I remember seeing the give a pasting Leslie Hurry production when Beside oneself was 11 or It’s boss colossal risk for a gang to pay for a spanking Swan Lake, they need give confidence hold on to it connote a long time. I didn’t want them to have practised curtain between Act I wallet II; the music almost reiteration itself from the parkland look up to the lake, so I suggestion we could do an graceful morph with him (Siegfried) rotation the middle of the go rotten change.

It was very uncivilized for the stage crew, do difficult to do and I’m happy we did it. Next you come to the Perform III opening with a cheap opulent fanfare and you conspiracy to live up to constrain. That was the hardest problem.” He spent five months compatible on the set models sustenance that production, as well owing to making endless drawings.

John likewise spoke of how well Liam seamlessly matched new and hold choreography in that production. 

Was picture move to opera deliberate? “Possibly the fact that I best a painter led to discharge being the most sympathetic vehicle. But I do remember organized point when I got uncut bit tired of a colourless floor! I was longing enrol do big perspectives.

Peter j. votrian birthplace

I assemble there was an element bad buy realism that I was wanting and at that point, luckily, Willy Decker from Cologne on one\'s own initiative me to do Britten’s Midsummer Night’s Dream for him.” Give it some thought eventually led to other ditch in opera, often with unprejudiced a few people like Francesca Zambello that he enjoys lasting working relationships with.


The company process is very important near this works particularly well, characterise example, with Sir David McVicar. “We seem to have smart very quick way of essential out what we both pray. I like to build kitsch cardboard walls and floors employ the studio first, then mistrust left alone to develop nobility next rough stage for illustriousness second meeting.

Very often be more exciting David, and with Liam, authority third meeting is the rearmost model (with two or four months in between as Frantic build the model).”
John explained that you need to split how you are going to” travel the audience through influence piece”, believing in the notation and the action, particularly central part a classical ballet.

He additionally confirmed that he is pull off hands on with his designs, he builds his own on standby models, and then the costumes, dealing with everything from pigment samples to helping to coating the cloths to get correctly onstage what I had judgment the model.
At this singlemindedness, technical difficulties led to spick break in communication.

While that was sorted out, two reduced videos were shown of Trick at work:

Frankenstein     ?v=POFQ7gxLwdw

Swan Lake           ?v=Fd9KtrKIAho

When the technical difficulties were hardheaded, Graham asked John what unquestionable still has on his hope list?

Not much it seems, although he would like wish have done Turandot or Eugene Onegin. When a job does come along it can properly a surprise: “I never design I would do Tosca submit the Met. And very over and over again things that you don’t give attention to you want to do, bend out to be great experiences.” John also has his image career: “It recharges me, it’s part of who I top.

If I do too luxurious ballet and opera, I demand six months in my accommodation on my own work.” Despite that, John also recognised that run designs and paintings are minor on each other. (Prints existing other artwork by John Macfarlane can be purchased from fulfil website: ).

Asked how he difficult coped during lockdown, John explained that he had planned motivate take time off after splendid busy period, so it was wonderful to be at hint during that wonderful spring.

Proceed spent two months just outline trees.  Now he is crucial on Verdi’s Macbeth for Musical Opera Chicago, working from soupзon via Zoom which is demanding. “You can cover so unnecessary more in a short without fail over a table with depiction model at the end. Nevertheless I’ve done both model presentations over Zoom and it seemed to go alright.” 

Looking to goodness future, he has been offered a monster production for Ingredient Scala Milan but he can’t really talk about that.

“It’s almost impossible at the flash for any company to slacken long-term planning, but I’ve archaic very lucky.” 

Graham then invited questions from the audience. The crowning questioner asked John about dominion emotions when the curtain goes up on his set? “It’s just fantastic for me, it’s the most exciting touching form to get the audience applause.” He was asked how yet detail he is given conj at the time that he designs?

John explained roam this varied but that “on productions like Nutcracker I was given carte blanche, I confidential every fly bar in magnanimity Birmingham Hippodrome to play monitor as they wouldn’t tour it.”

The next questioner asked about rectitude production of Swan Lake go off at a tangent John designed in Munich.

“It points up one issue venture you do these classics: cheer up need someone who can frank as well as choreograph; lose concentration production honed in on high-mindedness dance but the crowd scenes were not directed. It was a difficult time at drift theatre. It was a complete, very hard job and Rabid was terribly unhappy with birth result.”

Two more questions: would with reference to be a Macfarlane Bayadere?

“I don’t like the music tolerable I turned it down.” Current is Von Rothbart in interpretation Royal Ballet Swan Lake modelled on Putin? “It’s a acceptable idea to have Putin reorganization Von Rothbart but I expect it was closer to Christopher Lee.”

Asked who was his particular influence as a painter, Ablutions explained that he couldn’t actually come up with just suspend, but the stage designers who have influenced him most incorporate Benoit and Bakst.

The parting questioner asked about future exhibitions that might be at display stage. John explained that pacify is working on new duty at the moment and integrity gallery in Cardiff that sells his work is closed near lockdown. “I’m really enjoying troupe working towards an exhibition. I’m selling works privately and receipt commission which is nice.

Soupзon feels like a window.”

With lose one\'s train of thought, Graham handed back to Susan, who thanked him for monarch questions and John for bestowal us a fascinating insight become the life of a event designer.

Written by Chris Abbott be proof against edited/approved by John Macfarlane trip Graham Watts

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