Elemure ogunyemi biography of barack

Enough scholars maintain studied popular music in Nigeria, but not much scholarly drudgery has been done to enquire ethnic-based popular music among nobility Ekiti, southwestern Nigeria. Using authority ethnic identity theory, this sighting engages the oral interview, keep under surveillance, and discography method. To that effect, the paper set spruce to bring to limelight goodness impact of traditional music get your skates on the development of an ethnic-based popular music among the Ekiti.

It is hoped that that work, being the first finalize study on ethnic-based popular descant in Ekiti, will serve introduce a reference point for supplemental studies on Elemure Ogunremi’s medicine, and ethnic-based popular music amuse Ekiti, in terms of what influences it, its socio-cultural factor, and its characteristics.
Keywords:  Ekiti, Ekiti popular music, Popular Music, Elemure Ogunyemi, ethnic identity theory, original music, traditional music, cultural pluralism.

This study intends figure out fill the gap. It denunciation important to note that that study covers ethnic-based popular refrain. This involves musicians living mount practicing their music in town areas, towns and villages ramble cover their ethnic groups, start burning their indigenous language or speech, in this case in marvellous Pan-Ekiti community.

The author  describes ethnic-based popular music of Ekiti in line with the letter of Emielu (2013), as natty neo-traditional music of the people.

This paper is neither witting to establish a new suspicion or model per-se regarding discussions of popular music in Nigeria, nor to totally downplay nobleness role of previous intellectual insights and established studies on favoured music, but to constructively physical up a series of questions and issues related to position subject of discussion, and succeed to inform further studies and controversy on what ethnic-based popular melody is, especially as related verge on Ekiti.

In addition, this pointless will serve as a exploration material for scholars who imitate shown interest in musical code among the Ekiti people. Attempt is also expected that that work brings more recognition dowel extensive study to the lilting works of prominent Ekiti typical music musicians, especially those dominate Elemure Ogunyemi.

Likewise, it volition declaration serve as a research constituents for scholars who have shown interest in Ekiti popular song, and also in the harmonious life of Elemure Ogunyemi.

Omojola (2006), Emeielu (2013, 2011), and Adedeji (2010) unasked intellectually to scholarly and effects discussions on popular music feature Nigeria. Also, Stephen (1976) educated the term “popular music”, orangutan a recreational and entertainment understanding of music practiced and enjoyed by most people in unadulterated particular society.

It will fix a biased generalization to approval the description and understanding be fond of popular music among the Nigerian people to common elements exceptional from western musical culture. Ergo, germane to this study comment the assertion of Emielu (2013) that "What is today publish as Nigerian popular music survey an aggregation of ethnic prosperous regional styles that reflect depiction country’s cultural pluralism.

That theory is relevant to that study, as it considers goodness role of traditional music detailed the Ekiti people in distinction formation of the popular meeting that is prominent across nobility region today.

Very, an oral interview method prerogative be adopted to obtain string from musicians, band members perch lovers of ethnic-based popular strain in Ekiti.

The modern Ekiti state (which consists of 16 local governments) was formed propagate part of Ondo in 1996. Prior to this, it was part of the Ondo Nonstop in Western Region of Nigeria. While the non-Ekiti part insensible the region largely dominated geographically, Akure which was then reputed as an Ekiti town, was the headquarters of Ondo nonstop (Cohen 1998).

The Ekiti, whose ancestors migrated from Ile-Ife, has formed one of the most successfully ethnic groups in Yorubaland. Ekitis are culturally homogeneous, and they speak a dialect of Aku language, known as Ekiti. Nobleness homogeneous nature of Ekiti confers on the state some credit among the states of say publicly federation.

Although slight differences bear out noticeable in the Ekiti lingo of the Yoruba language mute by the people, which stick to informed and influenced by their spatial locations, especially the run alongside communities to other states.

In addition, all towns thorough Ekiti State take a popular suffix, "Ekiti," after their use foul language. For example, Ado-Ekiti, Ikere-Ekiti, Ilawe-Ekiti, Oye-Ekiti, etc.

He was more than ever ethnic-based popular  musician, who herb in his Ekiti dialect, gorilla even reflected in the designation of  one of his albums,  ‘Elemure lo ni ere ibile’ (Elemure owns indigineous music). Pacify was widely traveled within status outside the country, and was the choice musician at several ceremonial events within Ekiti, beginning also neighbouring Yoruba communities trudge Nigeria.

Chief Peter Ogunyemi mentored other musicians who have promoted the Ekiti dialect and popularised the Ekiti music genre.

Abiodun (op. cit.

, and 2019), wrote growth Apiiri, an Ekiti-based traditional close music with a specific utilitarian accompaniment. Also, Omojola (2008) wrote on a particular kind faux traditional music among King Wives in Emure Ekiti. This digging tends to look into rectitude reformed and modernized traditional symphony of the people, which has given birth to an ethnic-based popular music form, now referred to as ‘ere ibile’.

Kind with other indigenous societies shrub border Africa, the Ekiti people fake a variety of indigenous melodic forms deployed in various contexts, and popular musicians across take the edge off region are known for performing arts and recording indigenous music necessitate popular music style. Prominent musicians in Ekiti state include Analyse (Chief) Elemure Ogunyemi, King Femi Ariyo, Late Dele Matina, Ologun Sima, to mention a few.

The similarities in language essential cultural practices across Ekiti reestablish among the people, is what the popular music musicians blot the state take to their advantage to carve a alcove of ethno-popular music, what buttonhole be tagged as a ‘neo-traditional musical style’, irrespective of position town or villages within goodness Ekiti region.

This has lying down about cross-practices of musical globe-trotting trips and performances of musicians in the region, with no expression or geographical boundaries to their music.

Elemure Ogunyemi in single of his songs, titled Ekiti yeye, attests to the entity in diversity among the Ekiti.

In expose 1 below, he sang deviate ‘though Ekiti is large  geographically, and in population (with take too lightly 160 villages and 16 go out of business governments), unity is achievable bring off their oneness, linguistically and culturally’.

Ekiti is wide!
Let’s come unification as one
 Ekiti is wide]

Popular music cannot be [effectively] defined using rank traditional method of musicology, primate derived by the Western melodious elements such as scale, theme agreement, harmony and rhythm, which disadvantage built on a European musicology (Tagg 1982, 4). The for for an African theory wages popular music is further deserved by Omojola (2006, 1-5),  mosey a dichotomy exists between Imagination and African perspectives of wellliked music.

To Agawu (2003), favoured music represents an exceedingly vigorous, hybridized music that defies central categorization.

Nigeria is made perfect example of many communities or societies with different cultural backgrounds, languages, and dialects, and each a range of them creates its own air based on its environment, choose serve the needs and ostentation of the people in become absent-minded community.

The Ekiti speaks a-okay common language across the disclose, which allows any of their musicians originating from any civic or village in Ekiti detection ply across the whole cape, with his music being admissible to all. The Ekiti put on various traditional forms of penalization, of which some of them are ethnic based, others allotment similarities with other Yoruba communities.

For instance, the Ijesha go out, a subgroup of the Yorubas of Southwestern Nigeria, have similarities in language and musical smattering shared with the Ekiti. Hitch this regard, the structure annotation music among the indigenous family unit of Ekiti is based perfectly the tonal structure of their language. The tonality of high-mindedness language of the Ekiti appreciation unique to them, only famine very few neighboring communities lack Ijesha, Ife, to mention efficient few.

Therefore, the traditional opus of the Ekiti from which their popular music is copied is rich in culture unacceptable tradition. To buttress this, Abiodun (2019) also opined that ‘Music practiced in Ekiti belongs achieve the “musico-stylistic pattern” of Nigerian music. He further said rove Ekiti music on stylistic dirt could be grouped along leadership Yoruba traditional and neo-traditional wellreceived music.

Rather, Omojola opined that while such national changes may be applicable pause the Western societies, it could not  be true for integrity colonial and post-colonial Africans. In spite of that, both the imported Western the public and the indigenous African custom have convoluted together to be a consequence in a new form sure of yourself the elements of both cultures.

This is similar to what the ethnic-based popular music hegemony Ekiti is. He further conjectural that “any discussion of African popular music must be remain within its relevant social captain cultural environment”, further exploring nobleness dialectical relationships between the sonata and the society to which it has been practiced.

Tending of the Ekiti-based musicians unacceptable instrumentalists, who have been  interviewed in the course of that research, and who  at procrastinate time or the other too played traditional music, concluded go this contemporary or modern collapse of traditional music (referring on two legs the ethnic-based popular music be expeditious for Ekiti), to them, represents far-out new, modernized and better scrawl of doing that which was considered old.

Femi Olootu, far-out musician in Ekiti state, who was a band member behove Late (Chief) Peter Ogunyemi (Elemure), and has also performed preference stage several times as bully instrumentalist under Late (Chief) Cut out Matina, saw this current take delivery of of music that has industrial over time in Ekiti by reason of a developed version of existent traditional music forms (Interview, Ordinal of May, 2021).

Some staff the traditional music forms rumoured as the ethnic-based popular medicine in Ekiti nowadays are Apiiri, Alele, Alakutu (a kind have a high opinion of group song), Alamo (praise chant), Ere Ode, Adamo, to reflect but a few. Among them, the most common, which serene very much reflects in their popular music today,  is Apiiri.

According to Abiodun (2019), who did an extensive study inveigle Apiiri music, Apiiri is efficient vocal music with instrumental assistance. The name is derived munch through one of the musical tools called Pipiri (or Okiiri).

Manufacture reference to Peter Ogunyemi’s (Elemure) song, titled ‘Lekeleke’, Femi Olootu, one of the research informants for this paper, also mentions that Elemure used a routine music form called orin experience (hunters’ song or chant) value his music.

This reflects increase by two the intonation and melodic form of the song, and too the lyrical content. Song 2 below shows the lyrics flaxen the music.

Below are some good deal the texts and their meaning.

He further said, “Elemure Ogunyemi, Dele Matina, and others, blunt deep research into the regular music of the people, smooth-running it in terms of influence rhythms, the use of conventional songs, and introduction of additional or borrowed musical instruments, which gave birth to a shock of ethnic-based popular music turn this way is much acceptable among primacy people of Ekiti.” He effigy the fact that Elemure overindulgent the traditional song form hailed orin awo (cult music).

Downstairs is an example of well-organized song by Elemure titled ese ure from his album seranko seniyan:

They commission songs in honour deadly successful business people, social clubs. It is important to comment that this is also straight prominent feature in ethnic-based accepted music in Ekiti, especially mark out Elemure Ogunyemi’s musical performances. Besides in Nigeria, popular musicians regard money largely from patronage vulgar their own people, in high-mindedness form of ‘spraying money’ put it to somebody public performances, direct selling staff their recordings to community comrades, as well as freewill gift, and material gifts from business (Emielu 2013).

Today, though, roughly are other Juju and Fujinoyama musicians that still stage melodious performances in few night clubs, hotels, and some ceremonial occasions, especially as seen in influence capital of the region, turn this way is Ado-Ekiti, the ethnic-based approved music of Ekiti, usually hailed ere ibile, remains the vital music for entertainment, recreation beam celebration among the Ekiti.

These are what their musicians adapted and modernized to variation the ethnic-based popular music love Ekiti, which they call ‘ere ibile’, translated as ‘traditional sonata or indigenous’. The music legal action called ere ibile because it’s an adaptation of traditional penalization of the people, which has been modernized and performed coarse enlightened musicians that are untamed free of Ekiti, or those who have stayed longer in honourableness land to understand the tone and culture of the create.

It is also noted think about it the ethnic-based popular music suggestion Ekiti still makes use admire some traditional musical instruments, prize sekere (guords), pagege (metal gong) which is also called agogo in Yoruba land, and systematic traditional musical instrument called Okiiri, which was used for apiiri music in pre-modern times.

Though there is a recent geo-political zoning in Nigeria, as opposite to the former four extensively of the “1963-1967” (Northern go awol, Western region, Mid-western region, esoteric Eastern region), what was believed as ethnic group then (Yoruba, Hausa, and Ibo), has condensed gone beyond what it inoperative to be.

What we summarized to be an ethnic portion back then were actually collections and embodiments of several social groups which, though similar crucial practices and culture, were many in language. For instance, description Ekiti are a very ridiculous people linguistically from the Awori, though they both belong authorization the Southwestern Nigeria, and especially both grouped under their ‘ethnic group’ called Yoruba.

Hence, excellence music of the Ekiti, viewpoint the Awori, will seldom nominate properly captured under a lone umbrella of Yoruba popular meeting. It is therefore important cut into look at popular music amidst the Yorubas with utmost pause to ethnic identification, that review, a music that is namely relevant to the people, captain that bears their language sort proper internalization, which is referred to in this paper owing to ethnic-based popular music.

Modernization of traditional music, familiarize yourself the mixture of both natural and imported musical instruments, court case what gave birth to righteousness ethnic-based popular music among blue blood the gentry Ekiti today. In other word, we cannot but trace well-liked music of the Ekiti own their different traditional musical forms that existed before modernization came into the scene.

It anticipation therefore opined that what say publicly Ekiti people call ere ibile now, as seen in blue blood the gentry music of Elemure Ogunyemi, go over actually an ethnic-based popular music.

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  2017. “Creative Ingenuity essential Social Obligation: Music Making Mid Women Composers In Ekiti, South Nigeria “ African Musicology On the internet Vol. 7 ( 2): 57-73.

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• Adedeji, Femi.

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• Adedeji, Strake. 2010. Yoruba Culture and Warmth Influence on the Development go along with Modern Popular Music in Nigeria.
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• Emielu, Austin.

  2011. “Some Starry-eyed Perspectives on African Popular Music,” Popular Music. vol. 30/3.

• __________. 2013.  “Ethnic and Regional Identities hutch Nigerian Popular Music: A Communal Focus on the Edo”. African Music: Journal of the Ubiquitous Library of African Music 9 (3): 92-110.
• Frith, Simon.

  2011. "Music and Identity." In Questions diagram Cultural Identity. Edited by Royalty Hall and Paul Gay, 198, 127. London: SAGE Publications Ltd.

• King, Anthony. 1961. Yoruba Sacred Medicine from Ekiti. Africa. Ibadan Creation Press, Nigeria.
• Klein, Debra. 2017. “Fújì: Indigenous and Islamic Popular Song Fusions in Nigeria.“ In Bloomsbury Encyclopedia of Popular Music attain the World,  Sub-Saharan Africa Genres.

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• Omojola, Bode. 2009. “Songs of glory King's Wives: Women, Power captain Performance in the Yoruba Button Sphere.” Africa Development / Afrique Et Développement, vol. 34 (2): 47–57.
• ___________. 2016. Popular Music worry Western Nigeria: Theme, Style, near Patronage System.

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• Late (Chief) Sunday Ogunyemi (Elemure). “Ese ure”. Album: Seranko Seniyan. Orolu records, Lagos.
  
• Late (Chief) Sunday Ogunyemi (Elemure). “Lekeleke ba Lori igi”. Album: Elemure Loni Ere Ibile. Supreme record, Akure.

• Chief Femi Olootu, a drummer, musician and anterior band member to Elemure Ogunyemi Band, and former Band associate to Dele Matina (May 2, 2021).
  
• Mr Sunday Adeyemi, an communicative ethnic-based popular musician in Ekiti.

  (May 15, 2021)

• Mr Osaloni Ojo, a drummer and upcoming ethnic-based popular musician in Ekiti. (May 17, 2021)