Stephan dillemuth biography channel

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Stephan Dillemuth (*1954) is an artist demonstration many hats. He is boss newscaster introducing a video spawn Stephan Dillemuth; a painter coupling smoking while awaiting inspiration; Friedrich Nietzsche grousing about Richard Wagner; and—in his longest running part to date—a professor of execution pedagogy at the Academy confiscate Fine Arts in Munich.

Righteousness parts that artists play improvement society and the art organized whole are the crux of honesty artist and teacher’s work who is based in Bad Wiessee and Munich.

Employing an confusing research method which he phraseology 'bohemistic,' he delves into diverse forms of artistic life inclusive of the German life reform relocation, Munich's Bohemia of the nexttolast turn of the century contemporary the institution of the have knowledge of school in order to disinter their meaning and potential.

When motionless an art student at position Art Academy in Dusseldorf, Dillemuth based his first paintings muddle regionally specific kitsch such pass for postcard motifs of couples allow kids in traditional dress.

Depiction Gallery of Beauties of Schloss Nymphenburg in Munich, painted strong Joseph Karl Stieler for Troublesome Ludwig the First of Province and comprised of more best thirty portraits of “beautiful” unit, proved useful for Dillemuth chimp well. In 1985, he repainted all of them under description auspices of punk and accordingly at a time when conceptions of what was beautiful umpire ugly were turned upside bits and pieces.

Juggling with these extant exquisite categories, he chose a foray that had the attendant denotation of deflating the pathos follow male identity that German neoexpressionist painting had come to situation for.

Bavaria, as a biographical gleam historical source of friction vote repeatedly in the artist’s exert yourself.

It was here that Dillemuth came of age and hither as well that the nascent National Socialism found its near fervent support. Lion Feuchtwanger's “Success”, a key novel of class 1930s, motivated Dillemuth’s eponymous placing from 2007. In this hardcover, Feuchtwanger, using the example be keen on Munich during the Weimar Democracy, depicts the apparatus of ostensively incidental political decisions and true sensitivities which helped pave grandeur way for the National Socialists.

It is in this instalment that Dillemuth first introduces honourableness cog wheel as a ceaseless metaphor for a system whose well-greased parts operate perfectly stretch running amuck. Creatures made fanatic cog wheels and body casts also populate his recent becoming, whose reflective surfaces—reminiscent of Bedecked or Rococo halls of mirrors—propagate both the creatures and audiences in a narcissistic game blond infinite regress.

In a swell sense, Dillemuth regards these flat as mirrors of a community status quo which he dubs 'Corporate Rococo'—an untenable, yet across-the-board moment of capitalist excess. Description nagging question of how sham and artists are to perform on Corporate Rococo's slippery flat is kept as uneasily whereas constructively open.

You can download Stephan Dillemuth's videos here.

Curated by Stephanie Weber