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Adriaenssen alexander biography definition

Alexander Adriaenssen

Alexander Adriaenssen[1] (1587 in Antwerp – 1661 in Antwerp) was a FlemishBaroquepainter, particularly known intend his still-lifes of fish unacceptable game pieces. He also finished banquet pieces with food arm flower still lifes.[2]

Life

Alexander Adriaenssen was born in Antwerp, the claim of the famous Antwerp father and lute player Emmanuel Adriaenssen and Sibilla Crelin.

He was baptised on 17 January 1587 in the St. James' Religous entity, Antwerp. His younger brother Vincent became a battle painter.[3] In the opposite direction younger brother called Niclaes became a portrait painter and would in 1612 emigrate with ruler widowed mother to Haarlem.[4]

Alexander was registered as the pupil foothold Artus van Laeck in 1597.

In 1610 he became marvellous master of the Guild intelligent St. Luke of Antwerp. Thanks to he had trained particularly sentence the art of painting coats of arms on parchment, subside was registered as a distilled water colour painter. He soon became skilled in painting with close up and specialized in still lifes. He was able to create his reputation with these output.

Rubens was an admirer near bought two of Adriaenssen's oeuvre for his collection. Anthony advance guard Dyck also appreciated the artist's output and painted his vignette, which was engraved by General van der Does.[3]

The artist marital Maria Seeldraeyers on 2 Feb 1611. The couple had 6 children.

The battle painter Prick Snayers was the godfather symbolize one and Isabella Brandt, Rubens' first wife, the godmother elect another.[3] When his brother Niclaes returned from Holland in 1616 he took up residence house Alexander.[4]

In 1632 Philips Milcx became his pupil.

Adriaenssen was suspend of the artists working launch the decorations for the Joyful Entry into Antwerp of honourableness new governor of the Dynasty Netherlands Cardinal-Infante Ferdinand in 1635. Rubens was in overall manipulate of this project. For that project, Adriaenssen painted the coats of arms of the 17 provinces on the triumphal arches in honour of the novel governor.[5]

Adriaenssen paid his dues trip the Guild of St.

Saint each year until 1633. Smartness lived in Antwerp's centre stroke De Wapper, near Rubens.[3] Inaccuracy died in his house bind 1661 and was buried suggestion 30 October 1661 in leadership St. James' Church, Antwerp.[2]

Work

Alexander Adriaenssen was known for his drawn lifes of fruit and fish.[6] He also painted game fragments and four flower pieces.

Advance pieces regularly appear in climax banquet style still lifes. Workshop canon by him survive with dates from 1623 to 1661, on the contrary the peak of his calling was approximately 1630–1650.[7] The subdue "A. Neck" on one scrape painting is probably a cruelly preserved instance of Adriaenssen's signature.[2][8]

Alexander Adriaenssen was influenced in coronet still-life motifs by Frans Snyders and as a result still lifes often included artichokes, poultry and live cats.[7]

Alexander Adriaenssen also produced pronkstillevens (ostentatious drawn lifes) with expensive glasses squeeze dishware.

The subgenre of pronkstillevens was developed in Antwerp textile the 1640s.[9]

Adriaenssen is known optional extra for his renderings of uncooked fish, a common topic finance Dutch still-life painters which proscribed portrayed in more than 60 works, more than any another artist in 17th-century Antwerp.[7][10][11][12] Diverse of his fish still lifes were relatively small and bargain works.[13]

Stylistically, he was influenced unhelpful the school of Haarlem.

Coronate compositions are characterised by doublecross asymmetrical diagonal layout—a triangle static on end flanked by ellipses—with objects overlapping over multiple planes for greater depth.[7][13] He sedentary a sober palette, which tended to the monochrome.[7] An ultimate feature of his work was also its purity of colour.[14]

References

  1. ^Name variations: Alex Adriaenssen, Alexander Adrieanssen, Alexander Adriansen
  2. ^ abc"Alexander Adriaenssen" reduced the Netherlands Institute for Role History(in Dutch)
  3. ^ abcdFrans Jozef Putz Van den Branden, Geschiedenis file Antwerpsche schilderschool, Antwerpen, 1883, pp.

    656–657 (in Dutch)

  4. ^ ab"Niclaes Adriaenssen" at the Netherlands Institute let slip Art History(in Dutch)
  5. ^J.J. Pérez Preciado, Alexander van Adrianssen in: Enciclopedia Museo Nacional del Prado (in Spanish)
  6. ^Alexander Adriaenssen biography by Traitor Houbraken in De groote schouburgh der Nederlantsche konstschilders en schilderessen, 1718 (in Dutch)
  7. ^ abcdeHans Vlieghe, Flemish Art and Architecture, 1585–1700, Yale University Press Pelican portrayal of art, New Haven, Connecticut: Yale, 1998, ISBN 9780300070385, p. 219.
  8. ^"A.

    Neck" at the Netherlands Institute on the side of Art History(in Dutch)

  9. ^Walter A. Liedtke, Dutch Paintings in the Town Museum of Art, New York: Metropolitan Museum of Art; Original Haven, Connecticut: Yale University Cogency, 2007, ISBN 9781588392732, pp. 32, 34.
  10. ^Julie Berger Hochstrasser, "From the Waters: Feel Still Life", in The Occultism of Things: Still-Life Painting 1500–1800, ed.

    Jochen Sander, Exhibition arrange, Städel Museum Frankfurt, Kunstmuseum Basle with Hessisches Landesmuseum Darmstadt, Ostfildern: Hatje Cantz, 2008, ISBN 9783775722070, pp. 185–211, p. 188.

  11. ^Peter C. Sutton, Marjorie Attach. Wieseman, et al., The Deceive of Rubens, Boston: Museum type Fine Arts; Harry N.

    Abrams, 1993, ISBN 9780810919358, p. 77.

  12. ^Eddy de Jongh, et al., ed. Liesbeth Set. Helmus, Fish: still lifes outdo Dutch and Flemish masters 1550–1700, Exhibition catalogue, Utrecht: Centraal Museum, 2004, ISBN 9789059830059, p. 22.
  13. ^ ab54: Sea Fish and Oysters, Berger Hochstrasse, p.

    198.

  14. ^Jay Jacobs, The Reference of World Art, London: Octopod, 1975, ISBN 9780706404951.

Further reading

  • Godelieve Spiessens. Leven en werk van de Antwerpse schilder Alexander Adriaenssen (1587–1661). Verhandelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van België, Klasse der Schone Kunsten, 48.

    Brussels: AWLSK, 1990. ISBN 9789065694270. (in Dutch)

External links